Friday, September 30, 2011
Tuesday, September 27, 2011
Saturday, September 24, 2011
African-American male, female andirons, c. early 1800s
These male and female andirons with curved, sword-like arms are possibly from west Tennessee. "The two near diminutive figures, male and female, with their strict form and rigid stance communicate aggressiveness and a coded resistance," according to an appraisal by Jimmy Allen, a dealer who concentrates on African-American material. The female andiron is slightly smaller than the mate and has a smaller head, and it has a notch between the legs. They are sized for a small hearth and room. Allen says, "the black smithy folded the iron over and over, back on itself, for increased strength to endure the rigors of daily use." The current owner purchased the andirons from Robert Reeves, an Atlanta dealer who is an expert on African-American art and antiques.
Labels:
African-American,
andirons,
antique,
folk art,
hand forged,
iron,
slavery,
south,
tennessee
Wednesday, September 21, 2011
Sunday, September 18, 2011
The Rev. William Gayle's Crucifixion
The Rev. William Gayle, an African-American minister from Ark, Va., made these powerful, well publicized carvings probably early in the 20th century. They look like hand-forged iron sculptures but in fact are wood painted black. Gayle portrays Jesus as an older black man. The face of the man to the left of Jesus is mask like; he is the penitent thief whose bent right leg is free of restraint. All three are stoic. The carvings have been published in American Vernacular (Frank Maresca, Roger Ricco, 2002) p. 172; Folk Art magazine, winter 1992-93, p. 65; Religious Folk Art in America (C. Kurt Dewhurst, Betty MacDowell, Marsha MacDowell, 1983) p. 126; and A Virginia Sampler, 18th, 19th & 20th Century Folk Art (Ferrum College, the Roanoke Fine Arts Center, 1976). They have been in a private collection in Atlanta for the past six years.
Labels:
African-American,
carvings,
christianity,
civil war,
crucifixion,
folk art,
religion,
sculpture,
self-taught art,
south,
Virginia
Friday, September 16, 2011
Welding deity
Wednesday, September 14, 2011
Monday, September 12, 2011
Mud pig
The Alabama artist Jimmy Lee Sudduth (d. 2007) "painted" this porker probably in the 1980s. Sudduth used a sugar water/mud mix. If you're unfamiliar with Sudduth, he became quite well known because of the sometimes great images he made with mud, and because of his outsize personality. Fans flocked to his small home in Fayette, eager to exchange green for mud. Sudduth died at the ripe old age of 97.
Labels:
African-American,
Alabama,
folk art,
jimmy lee sudduth,
mud,
outsider art,
paintings,
self-taught art,
south
Saturday, September 10, 2011
Monday, September 5, 2011
Saturday, September 3, 2011
Thursday, September 1, 2011
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